SAM JANSEN gets drunk with New York artist Parker Banning
“In Iowa, in Nebraska, in New Mexico, New Zealand … and I was locked in a cupboard in Haiti”. Over the course of his thirty-five year career, Parker Banning, the controversial photographer, has been arrested or imprisoned in seven US states and four European countries, he has been through innumerable court cases, scores of aggressive editorials, and has (that he knows of) eleven children (“in nine states!”).
He is, by his own admission, an alcoholic (“unrecovered and unreconstructed”) and an habitual slapper of women (including his second, third and fourth wives) and – by the views of the academy – one of the most important photographers of the post-war era.
Cream Tea, Dim Sum and Anish Kapoor, by Sam Jansen
There’s lots of splendid meaty stuff for the viewer to enjoy at Anish Kapoor’s exhibition at the Royal Academy: ‘Shooting Into The Corner’ (2008-9), Kapoor’s (maybe) phallic cannon, is getting all the praise it deserves, as is the elegantly sexualised ‘Slug’ (2009). The central piece, ‘Svayaymbh’ (2007), is conceptually terribly neat and contained, for all its apparent collapse (as such, it’s the very opposite of the Tate Modern ‘Marsyas’ (2002)). Go, go and see all of it.
However, there remain three elements of Kapoor’s Academy show, none created by him, which require analysis: the Kapoor Dim Sum, the Kapoor Cream Tea and the Kapoor Retractable Biro. Continue reading